In this newsroom, breaking means losing. Our reporters don't know what's about to be on the teleprompter, and every laugh is a point against them.

In this newsroom, breaking means losing. Our reporters don't know what's about to be on the teleprompter, and every laugh is a point against them.

Breaking News is an American drama television series about the fictional Milwaukee-based 24-hour cable news television network I-24, with the motto 'Around the Clock, Around the World.' The series premiered July 17, 2002, on Bravo.

In this digital age, where narratives are influenced and perceptions molded by ever-expanding online platforms, authentic journalism stands at a pivotal crossroads. NEWS WITHOUT A NEWSROOM serves as an insightful exploration into the transformative trajectory of journalism. With testimonies from esteemed figures such as Leonard Pitts Jr. and Maggie Steber, complemented by expert insights, the film aims to chart the dynamic trajectory of contemporary news reporting.

An overlooked pencil-pusher catches her husband in bed with another woman, the shock of which causes him to die of a heart attack. So she buries his body and takes advantage of the growing celebrity status that comes from having a missing husband. But she quickly finds herself in over her head, dodging cops and criminals, all while trying to keep the truth from her sister, a local news anchor who’s desperate for a story.

A behind-the-scenes look at the people who make a nightly cable-news program. Focusing on a network anchor, his new executive producer, the newsroom staff and their boss, the series tracks their quixotic mission to do the news well in the face of corporate and commercial obstacles-not to mention their own personal entanglements.

Funhaus, Achievement Hunter, and Rooster Teeth are sending their top comedians to the ultimate challenge. Armed only with a duffel bag of props and their wit, the battle is on to be the last contestant standing - without laughing, while host and referee Geoff Ramsey watches on.

While getting ready to promote the new 1984 fall Saturday morning line-up, the Director D.W. and his assistant are interrupted by the infamous Gargamore O'Dette who plans to bring down the special and NBC itself. Gargamore has kidnapped a bunch of the new cartoon characters and sent his live action henchmen (played by James Avery and Bill Saluga from Going Bananas) to stop the real live actors from making it onto the special. Gargamore wants to do this because the new Saturday morning line-up is funny and he's deathly allergic to laughter.

The Laugh Factory is a premier stand-up showcase featuring legendary icons and comedy’s brightest rising stars. Originally hosted by its founder, Jamie Masada, and rotating guest hosts and stand-up comic sets.

Tamon is an awkward 50-year-old rakugo comedian with no popularity, respect, or ambition. He struggles by, taking care of his father, who can no longer perform rakugo due to his steadily worsening dementia, and who does nothing but badmouths Tamon and calls him a disappointment. Kiko, a young female manzai comedian, ends up writing a skit based on one of Tamon's original stories she finds a recording of from her mother's cupboard. Kiko approaches Tamon initially for permission, then for advice. Tamon also reunites with his former girlfriend, Kiko's mother, and eventually ends up finding his passion in life and his art again.